As the nation remembers Connie Francis, one question, amplified by disbelief, grows louder: Where the girls are? Everywhere but the Rock & Roll Hall of Fame, it seems.

“The Rock Hall has faced ongoing criticism for under-representing early female pop vocalists and girl groups — many of whom, like Connie Francis, laid the foundation for pop and rock in the 1950s and ’60s,” said ISDA National President Basil Russo. “There’s a strong case to be made that she deserves induction for her cultural influence and pioneering success as one of the first female pop superstars. Madonna — a successor to Francis in both Italian American heritage and chart dominance — was inducted in 2008. Francis’s exclusion today appears indefensible.”

Consider her legacy:

• 200+ million records sold worldwide
• First woman to top the Billboard Hot 100
• Top-selling female artist for a decade
• 27 billion TikTok views featuring her music (and counting)
• 53 Billboard Hot 100 chart hits

ISDA is rallying the public to contact the Rock Hall at https://rockhall.com/contact-us to advocate for the recognition of Connie Francis.

The voice of a generation, Francis broke through at a time when women were expected to sing, not lead. Born in 1937 in Newark, N.J., to Italian immigrant parents, she grew up speaking Italian and performing at local events by age 4. After years of grinding out talent contests and TV appearances, she exploded onto the scene in 1958 with “Who’s Sorry Now?”

From there, she became a trailblazer: the first woman to reach No. 1 on the Billboard Hot 100 with “Everybody’s Somebody’s Fool,” and the first to headline major tours across Europe, Asia and the Middle East.

She recorded in over a dozen languages, starred in Hollywood musicals, and even opened for the Queen of England. By the mid-1960s, Francis had become not only a household name but also a symbol of Italian American pride.